Ostade, Adriaen van

Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards (1633; St Petersburg, Hermitage).
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Ostade, Adriaen van Sight oil


Sight
Painting ID::  19720 		Sight
Oil on panel The Hermitage, St. Petersburg.
Oil_on_panel The_Hermitage,_St._Petersburg.
   
   
     
Ostade, Adriaen van Woman Holding a Child in her Lap oil


Woman Holding a Child in her Lap
Painting ID::  19721 		Woman Holding a Child in her Lap
1652 Oil on panel Private collection.
1652 Oil_on_panel Private_collection.
   
   
     
Ostade, Adriaen van The Drinker and the Smoker oil


The Drinker and the Smoker
Painting ID::  19722 		The Drinker and the Smoker
Oil on panel.
Oil_on_panel.
   
   
     
Ostade, Adriaen van Peasant Family in an Interior oil


Peasant Family in an Interior
Painting ID::  19723 		Peasant Family in an Interior
1661 Oil on panel.
1661 Oil_on_panel.
   
   
     
Ostade, Adriaen van A Peasant Family Outside a Cottage oil


A Peasant Family Outside a Cottage
Painting ID::  19724 		A Peasant Family Outside a Cottage
1668 Oil on paper laid on canvas
1668 Oil_on_paper_laid_on_canvas
   
   
     
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     Ostade, Adriaen van
     Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards (1633; St Petersburg, Hermitage).

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