PARMIGIANINO

Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
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PARMIGIANINO Self-portrait in a Convex Mirror a oil


Self-portrait in a Convex Mirror a
Painting ID::  8449 		Self-portrait in a Convex Mirror a
c. 1524 Oil on wood, diameter 24,4 cm Kunsthistorisches Museum, Vienna
   
   
     
PARMIGIANINO Cupid af oil


Cupid af
Painting ID::  8450 		Cupid af
1523-24 Oil on wood, 135 x 65,3 cm Kunsthistorisches Museum, Vienna
   
   
     
PARMIGIANINO Rest on the Flight to Egypt ag oil


Rest on the Flight to Egypt ag
Painting ID::  8451 		Rest on the Flight to Egypt ag
1524 Oil on panel, 110 x 89 cm Museo del Prado, Madrid
1524 Oil_on_panel,_110_x_89_cm Museo_del_Prado,_Madrid
   
   
     
PARMIGIANINO Madonna dal Collo Lungo (Madonna with Long Neck) ga oil


Madonna dal Collo Lungo (Madonna with Long Neck) ga
Painting ID::  8452 		Madonna dal Collo Lungo (Madonna with Long Neck) ga
1534-40 Oil on panel, 216 x 132 cm Galleria degli Uffizi, Florence
   
   
     
PARMIGIANINO Madonna and Child sg oil


Madonna and Child sg
Painting ID::  8454 		Madonna and Child sg
c. 1525 Oil on panel (arched), 58,8 x 34,1 cm Galleria Doria-Pamphili, Rome
   
   
     
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     PARMIGIANINO
     Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

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