PARMIGIANINO

Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
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PARMIGIANINO Virgin and Child oil


Virgin and Child
Painting ID::  83800 		Virgin and Child
1525(1525) and 1527(1527) Medium Oil on panel cjr
1525(1525)_and_1527(1527) _ Medium_Oil_on_panel _ cjr
   
   
     
PARMIGIANINO The Mystic Marriage of St Catherine oil


The Mystic Marriage of St Catherine
Painting ID::  84597 		The Mystic Marriage of St Catherine
Date ca. 1527(1527) Medium Oil on wood Dimensions Height: 21 cm (8.3 in). Width: 27 cm (10.6 in). cjr
   
   
     
PARMIGIANINO Portrait of a Youth oil


Portrait of a Youth
Painting ID::  89780 		Portrait of a Youth
1520s Medium oil on panel cyf
1520s _ Medium_oil_on_panel _ cyf
   
   
     
PARMIGIANINO Thronende Madonna, Hl. Zacharias, Hl. Johannes der Taufer und Hl. Maria Magdalena oil


Thronende Madonna, Hl. Zacharias, Hl. Johannes der Taufer und Hl. Maria Magdalena
Painting ID::  91762 		Thronende Madonna, Hl. Zacharias, Hl. Johannes der Taufer und Hl. Maria Magdalena
c. 1530 Medium oil on panel cjr
c._1530_ Medium_oil_on_panel _ cjr
   
   
     
PARMIGIANINO Madonna mit dem langen Hals oil


Madonna mit dem langen Hals
Painting ID::  91766 		Madonna mit dem langen Hals
1534-1540 Medium oil on panel Dimensions Deutsch: 216 X 132 cm cjr
   
   
     
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     PARMIGIANINO
     Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

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