PERUGINO, Pietro

Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,
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PERUGINO, Pietro The Transfiguration oil


The Transfiguration
Painting ID::  32454 		The Transfiguration
1498 Fresco, 226 x 229 cm
1498 Fresco,_226_x_229_cm
   
   
     
PERUGINO, Pietro Trinity and Six Saints oil


Trinity and Six Saints
Painting ID::  32456 		Trinity and Six Saints
1521 Fresco, 175 x 389 cm
1521 Fresco,_175_x_389_cm
   
   
     
PERUGINO, Pietro Christ giving the Keys to St Peter oil


Christ giving the Keys to St Peter
Painting ID::  33400 		Christ giving the Keys to St Peter
mk86 c.1482 Fresco 335x550cm Rome,Vatican ,Sistine Chapel
   
   
     
PERUGINO, Pietro Portrait of a Young Man oil


Portrait of a Young Man
Painting ID::  34257 		Portrait of a Young Man
mk91 Mid-1490s Oil on canvas transferred from a panel 40.5x25.5
   
   
     
PERUGINO, Pietro Fresco in the Palazzo the prioris in Perugia, Italy oil


Fresco in the Palazzo the prioris in Perugia, Italy
Painting ID::  39412 		Fresco in the Palazzo the prioris in Perugia, Italy
mk148 It shows six well known Sibyllen the antique out of (of to the left to the right) Eritrea,Persien,Cumae,Libyen,Tiburtina and Delphi
   
   
     
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     PERUGINO, Pietro
     Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,

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