PERUGINO, Pietro

Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,


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PERUGINO, Pietro The Ascension of Christ af oil


The Ascension of Christ af
Painting ID::  8500
The Ascension of Christ af
1496-98 Oil on panel, 342 x 263 cm Mus??e Municipal des Beaux-Arts, Lyon
   
   
     

PERUGINO, Pietro The Galitzin Triptych af oil


The Galitzin Triptych af
Painting ID::  8501
The Galitzin Triptych af
1485, Tempera, transferred from wood to canvas National Gallery of Art, Washington
   
   
     

PERUGINO, Pietro The Pazzi Crucifixion sg oil


The Pazzi Crucifixion sg
Painting ID::  8503
The Pazzi Crucifixion sg
1494-96 Fresco, 480 x 812 cm S. Maria Maddalena dei Pazzi, Florence
   
   
     

PERUGINO, Pietro The Pazzi Crucifixion (detail oil


The Pazzi Crucifixion (detail
Painting ID::  8504
The Pazzi Crucifixion (detail
1494-96 Fresco S. Maria Maddalena dei Pazzi, Florence
1494-96 Fresco S._Maria_Maddalena_dei_Pazzi,_Florence
   
   
     

PERUGINO, Pietro The Pazzi Crucifixion (detail) af oil


The Pazzi Crucifixion (detail) af
Painting ID::  8505
The Pazzi Crucifixion (detail) af
1494-96 Fresco S. Maria Maddalena dei Pazzi, Florence
1494-96 Fresco S._Maria_Maddalena_dei_Pazzi,_Florence
   
   
     

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     PERUGINO, Pietro
     Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,

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