POTTER, Paulus

Dutch Baroque Era Painter, 1625-1654 Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,


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POTTER, Paulus Young Bull oil


Young Bull
Painting ID::  40475
Young Bull
mk156 1647 Oil on canvas 236x339cm
mk156 1647 Oil_on_canvas 236x339cm
   
   
     

POTTER, Paulus The Farm oil


The Farm
Painting ID::  41044
The Farm
mk159 1649 Oil on panel 81x115.5cm
mk159 1649 Oil_on_panel 81x115.5cm
   
   
     

POTTER, Paulus A Landscape with Cows,sheep and horses by a Barn oil


A Landscape with Cows,sheep and horses by a Barn
Painting ID::  43175
A Landscape with Cows,sheep and horses by a Barn
mk170 1651 Oil on
mk170 1651 Oil_on
   
   
     

POTTER, Paulus A geschecktes horse oil


A geschecktes horse
Painting ID::  45902
A geschecktes horse
mk178 1653 oils on linen 60.5x41cm
mk178_ 1653_oils_on_linen_ 60.5x41cm
   
   
     

POTTER, Paulus the bull oil


the bull
Painting ID::  56077
the bull
1647,oil on canvas,92.75x113.375 in,235.5x339 cm,mauritshuis,the hague,netherlands
   
   
     

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     POTTER, Paulus
     Dutch Baroque Era Painter, 1625-1654 Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,

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