Palma Vecchio

1480-1528 Italian Palma Vecchio Gallery His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
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Palma Vecchio Diana and Callisto oil


Diana and Callisto
Painting ID::  1094 		Diana and Callisto
1525 Art History Museum, Vienna
1525_ Art_History_Museum,_Vienna
   
   
     
Palma Vecchio Portrait of a Woman oil


Portrait of a Woman
Painting ID::  1096 		Portrait of a Woman
   
   
     
Palma Vecchio The Three Sisters (detail) dh oil


The Three Sisters (detail) dh
Painting ID::  8430 		The Three Sisters (detail) dh
about 1520 Oil on wood, 88 x 123 cm (full painting) Gemäldegalerie, Dresden
   
   
     
Palma Vecchio Jacob and Rachel ag oil


Jacob and Rachel ag
Painting ID::  8431 		Jacob and Rachel ag
1515-25 Oil on canvas, 146,5 x 250,5 cm Gemäldegalerie, Dresden
   
   
     
Palma Vecchio Judith ag oil


Judith ag
Painting ID::  8434 		Judith ag
Oil on canvas, 90 x 71 cm Galleria degli Uffizi, Florence
Oil_on_canvas,_90_x_71_cm Galleria_degli_Uffizi,_Florence
   
   
     
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     Palma Vecchio
     1480-1528 Italian Palma Vecchio Gallery His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE

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