Palma Vecchio

1480-1528 Italian Palma Vecchio Gallery His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
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Palma Vecchio Madonna and Child with Commissioners oil


Madonna and Child with Commissioners
Painting ID::  29149 		Madonna and Child with Commissioners
mk65 Oil on canvas transferred from panel 47x68"
mk65 Oil_on_canvas transferred_from_panel 47x68"
   
   
     
Palma Vecchio Portrait of a Man oil


Portrait of a Man
Painting ID::  29287 		Portrait of a Man
mk65 Oil on canvas 37x28"
mk65 Oil_on_canvas 37x28"
   
   
     
Palma Vecchio The Raising of Lazarus oil


The Raising of Lazarus
Painting ID::  29888 		The Raising of Lazarus
mk67 Panel 37x43 5/16in Uffizi,Gallery
mk67 Panel 37x43_5/16in Uffizi,Gallery
   
   
     
Palma Vecchio A Blonde Woman oil


A Blonde Woman
Painting ID::  31362 		A Blonde Woman
nn07 Oil on wood, 77,5 x 64,1 cm National Gallery, London
nn07 Oil_on_wood,_77,5_x_64,1_cm National_Gallery,_London
   
   
     
Palma Vecchio Sacred Conversation oil


Sacred Conversation
Painting ID::  32436 		Sacred Conversation
c. 1525 Oil on canvas, 127 x 195 cm
c._1525 Oil_on_canvas,_127_x_195_cm
   
   
     
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     Palma Vecchio
     1480-1528 Italian Palma Vecchio Gallery His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE

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