Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Venus und Adonis oil


Venus und Adonis
Painting ID::  88429
Venus und Adonis
um 1610 Medium Oil on wood Dimensions 276 x 183 cm (108.7 x 72 in) cjr
   
   
     

Peter Paul Rubens Venus and Cupid oil


Venus and Cupid
Painting ID::  88529
Venus and Cupid
Around 1606-1611 Medium Oil on canvas Dimensions Height: 137 cm (53.9 in). Width: 111 cm (43.7 in). cjr
   
   
     

Peter Paul Rubens Satyr und Madchen mit Fruchtekorb oil


Satyr und Madchen mit Fruchtekorb
Painting ID::  88531
Satyr und Madchen mit Fruchtekorb
um 1615 Medium Oil on canvas Dimensions 112 x 71 cm (44.1 x 28 in) cjr
   
   
     

Peter Paul Rubens Portrait of Louis XIII of France oil


Portrait of Louis XIII of France
Painting ID::  88561
Portrait of Louis XIII of France
1622-25 Medium Oil on canvas Dimensions 118.1 x 96.5 cm (46.5 x 38 in) cjr
   
   
     

Peter Paul Rubens St. Sebastian oil


St. Sebastian
Painting ID::  88704
St. Sebastian
1618(1618) Medium Oil on canvas cyf
1618(1618) _ Medium_Oil_on_canvas _ cyf
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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