Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens The Judgement of Paris oil


The Judgement of Paris
Painting ID::  43120
The Judgement of Paris
mk170 1631-1635 Oil on oak 144.8x193.7cm
mk170 1631-1635 Oil_on_oak 144.8x193.7cm
   
   
     

Peter Paul Rubens Portrait of Ludovicus Nonnius oil


Portrait of Ludovicus Nonnius
Painting ID::  43121
Portrait of Ludovicus Nonnius
mk170 circa 1627 oil on wood 124.4x92.2cm
mk170 circa_1627 oil_on_wood 124.4x92.2cm
   
   
     

Peter Paul Rubens Triumph of Church over Fury, Discord, and Hate oil


Triumph of Church over Fury, Discord, and Hate
Painting ID::  43661
Triumph of Church over Fury, Discord, and Hate
1628 Oil on panel, 86 x 91 cm
1628_ Oil_on_panel, _86_x_91_cm
   
   
     

Peter Paul Rubens Adam and Eve oil


Adam and Eve
Painting ID::  45410
Adam and Eve
mki186 1598 Antwerp, Rubenshuis
mki186_ 1598_Antwerp,_ Rubenshuis
   
   
     

Peter Paul Rubens Workshop Jupiter and Merkur in Philemon oil


Workshop Jupiter and Merkur in Philemon
Painting ID::  45433
Workshop Jupiter and Merkur in Philemon
mk186 and building c sharp 1620 Vienna art historic museum
mk186 and_building_c_sharp_1620_Vienna_art_historic_museum
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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