Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Justus Lipsius oil


Justus Lipsius
Painting ID::  93131
Justus Lipsius
after 1611-1612 oil on wood 61.5 x 50 cm cjr
after_1611-1612 oil_on_wood 61.5_x_50_cm cjr
   
   
     

Peter Paul Rubens Portrat des Erzherzogs Albrecht VII., Regent der sudlichen Niederlande oil


Portrat des Erzherzogs Albrecht VII., Regent der sudlichen Niederlande
Painting ID::  93132
Portrat des Erzherzogs Albrecht VII., Regent der sudlichen Niederlande
c. 1609 Medium oil on panel Dimensions Deutsch: 105 X 74 cm cjr
   
   
     

Peter Paul Rubens Infanta's Waiting-maid in Brussels oil


Infanta's Waiting-maid in Brussels
Painting ID::  93325
Infanta's Waiting-maid in Brussels
mid 1620s Medium Oil on panel Dimensions 64x48 cm cjr
   
   
     

Peter Paul Rubens Die Blute Frankreichs unter der Regentschaft Marias von Medici, Skizze oil


Die Blute Frankreichs unter der Regentschaft Marias von Medici, Skizze
Painting ID::  93346
Die Blute Frankreichs unter der Regentschaft Marias von Medici, Skizze
1622(1622) Medium oil on canvas Dimensions 55 x 92 cm (21.7 x 36.2 in) cjr
   
   
     

Peter Paul Rubens Coronation of Marie de Medicis. oil


Coronation of Marie de Medicis.
Painting ID::  93347
Coronation of Marie de Medicis.
oil on wood, ca. 1622-1625, 49x63 cm, cjr
oil_on_wood,_ca._1622-1625,_49x63_cm,_cjr
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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