Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Geburt der Maria de' Medici oil


Geburt der Maria de' Medici
Painting ID::  93368
Geburt der Maria de' Medici
c. 1622-1625 Medium oil on canvas Dimensions Deutsch: 394 x 155 cm cjr
   
   
     

Peter Paul Rubens Austausch der Prinzessinnen oil


Austausch der Prinzessinnen
Painting ID::  93436
Austausch der Prinzessinnen
c. 1622-1625 Medium oil on canvas Dimensions Deutsch: 394 x 295 cm cjr
   
   
     

Peter Paul Rubens Apotheose Heinrichs IV oil


Apotheose Heinrichs IV
Painting ID::  93439
Apotheose Heinrichs IV
c. 1622-1625 Medium oil on canvas Dimensions Deutsch: 394 x 727 cm cjr
   
   
     

Peter Paul Rubens Portrait of Jacqueline de Caestre. oil


Portrait of Jacqueline de Caestre.
Painting ID::  93454
Portrait of Jacqueline de Caestre.
circa 1618(1618) Medium oil on canvas cjr
circa_1618(1618) _ Medium_oil_on_canvas _ cjr
   
   
     

Peter Paul Rubens Portrait of Jean Charles de Cordes. oil


Portrait of Jean Charles de Cordes.
Painting ID::  93455
Portrait of Jean Charles de Cordes.
circa 1618(1618) Medium oil on canvas cjr
circa_1618(1618) _ Medium_oil_on_canvas _ cjr
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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