Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Portrat der Helene Fourment mit ihrem erstgeborenen Sohn Frans oil


Portrat der Helene Fourment mit ihrem erstgeborenen Sohn Frans
Painting ID::  93720
Portrat der Helene Fourment mit ihrem erstgeborenen Sohn Frans
c. 1634-1635 Medium oil on panel Dimensions 165 x 116 cm (65 x 45.7 in) cjr
   
   
     

Peter Paul Rubens Venus and Adonis oil


Venus and Adonis
Painting ID::  93908
Venus and Adonis
circa 1610(1610) Medium oil on panel Dimensions 276 x 183 cm (108.7 x 72 in) cjr
   
   
     

Peter Paul Rubens Susanna and the Elders oil


Susanna and the Elders
Painting ID::  94798
Susanna and the Elders
1607 Type Oil on canvas Dimensions 94 cm x 66 cm (37 in x 26 in) cyf
   
   
     

Peter Paul Rubens Elevation of the Cross oil


Elevation of the Cross
Painting ID::  94805
Elevation of the Cross
1610-11 Type Oil on canvas Dimensions 462 cm x 341 cm (182 in x 134 in) cyf
   
   
     

Peter Paul Rubens Descent from the Cross oil


Descent from the Cross
Painting ID::  94807
Descent from the Cross
1612-1614 Type Oil on panel Dimensions 420.5 cm x 320 cm cyf
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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