Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Franz Xaver oil


Franz Xaver
Painting ID::  92175
Franz Xaver
1617(1617) Medium oil on panel Dimensions 104.5 X 72.5 cm (41.1 X 28.5 in) cyf
   
   
     

Peter Paul Rubens Heilige Familie mit dem Korbe oil


Heilige Familie mit dem Korbe
Painting ID::  92288
Heilige Familie mit dem Korbe
oil on panel Dimensions Deutsch: 170,5 X 129,5 cm cyf
oil_on_panel _ Dimensions_Deutsch:_170,5_X_129,5_cm_ cyf
   
   
     

Peter Paul Rubens Himmelfahrt Mariae oil


Himmelfahrt Mariae
Painting ID::  92339
Himmelfahrt Mariae
1616/1618 Medium oil on oak panel Dimensions 423.3 X 281 cm (166.7 X 110.6 in) cjr
   
   
     

Peter Paul Rubens Crowning of the Hero oil


Crowning of the Hero
Painting ID::  92466
Crowning of the Hero
Date c. 1612-1614 Medium oil on panel TTD
Date_c._1612-1614 _ Medium_oil_on_panel _ TTD
   
   
     

Peter Paul Rubens Finding of Erichthonius oil


Finding of Erichthonius
Painting ID::  92653
Finding of Erichthonius
Date 1632-1633 Medium oil on canvas Dimensions 109.3 x 103.4 cm TTD
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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