Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Bathsheba at the Fountain oil


Bathsheba at the Fountain
Painting ID::  40446
Bathsheba at the Fountain
mk156 1635 Oil on oak panel 175x126cm
mk156 1635 Oil_on_oak_panel 175x126cm
   
   
     

Peter Paul Rubens The Garden of Love oil


The Garden of Love
Painting ID::  40449
The Garden of Love
mk156 c.1633 Oil on canvas 198x283cm
mk156 c.1633 Oil_on_canvas 198x283cm
   
   
     

Peter Paul Rubens The Statue of Ceres oil


The Statue of Ceres
Painting ID::  41019
The Statue of Ceres
mk159 c.1615 Oil on panel 90.5x65.5cm
mk159 c.1615 Oil_on_panel 90.5x65.5cm
   
   
     

Peter Paul Rubens Portrait of a Lady-in-Waiting to the Infanta Isabella oil


Portrait of a Lady-in-Waiting to the Infanta Isabella
Painting ID::  41020
Portrait of a Lady-in-Waiting to the Infanta Isabella
mk159 c.1625 Oil on panel 63.5x47.5cm
mk159 c.1625 Oil_on_panel 63.5x47.5cm
   
   
     

Peter Paul Rubens Landscape iwth a Rainbow oil


Landscape iwth a Rainbow
Painting ID::  41021
Landscape iwth a Rainbow
mk159 Oil on canvas transferred from panel 86x130cm
mk159 Oil_on_canvas transferred_from_panel 86x130cm
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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