Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Boreas entfuhrt Oreithya oil


Boreas entfuhrt Oreithya
Painting ID::  90386
Boreas entfuhrt Oreithya
c. 1620(1620) Medium oil on panel Dimensions 146 x 140 cm (57.5 x 55.1 in) cjr
   
   
     

Peter Paul Rubens Self-portrait. oil


Self-portrait.
Painting ID::  90557
Self-portrait.
1623 Medium oil on canvas Dimensions 91.3 x 70.8 cm (35.9 x 27.9 in) cjr
   
   
     

Peter Paul Rubens Portrait of prince Wladyslaw Vasa in Polish costume oil


Portrait of prince Wladyslaw Vasa in Polish costume
Painting ID::  90758
Portrait of prince Wladyslaw Vasa in Polish costume
c. 1626(1626) Medium oil on canvas cjr
c._1626(1626) _ Medium_oil_on_canvas _ cjr
   
   
     

Peter Paul Rubens Portrait of a man as the god Mars oil


Portrait of a man as the god Mars
Painting ID::  91166
Portrait of a man as the god Mars
1620-1625 Medium oil on canvas Dimensions 82.6 x 66 cm (32.5 x 26 in) cyf
   
   
     

Peter Paul Rubens Sieg und Tod des Konsuls Decius Mus in der Schlacht oil


Sieg und Tod des Konsuls Decius Mus in der Schlacht
Painting ID::  91222
Sieg und Tod des Konsuls Decius Mus in der Schlacht
1617(1617) Medium oil on canvas Dimensions Deutsch: 288 x 519 cm cjr
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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