Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens The Triumphal Entrance of Henry IV into Paris oil


The Triumphal Entrance of Henry IV into Paris
Painting ID::  28878
The Triumphal Entrance of Henry IV into Paris
mk65 Oil on canvas 149 5/8x272 4/16in Uffizi,Gallery
mk65 Oil_on_canvas 149_5/8x272_4/16in Uffizi,Gallery
   
   
     

Peter Paul Rubens The Three Graces oil


The Three Graces
Painting ID::  28880
The Three Graces
mk65 Oil on canvas 18 11/16x13 3/4in Pitti,Palatne Gallery
   
   
     

Peter Paul Rubens Holy Family with St.Elizabeth oil


Holy Family with St.Elizabeth
Painting ID::  29022
Holy Family with St.Elizabeth
mk65 Oil on canvas 44 7/8x34 5/8in
mk65 Oil_on_canvas 44_7/8x34_5/8in
   
   
     

Peter Paul Rubens The Temle of Janus oil


The Temle of Janus
Painting ID::  29075
The Temle of Janus
mk65 ca.1635 Oil on panel 27 1/2x 26"
mk65 ca.1635 Oil_on_panel 27_1/2x_26"
   
   
     

Peter Paul Rubens The Temle of Janus oil


The Temle of Janus
Painting ID::  29076
The Temle of Janus
mk65 ca.1635 Oil on panel 27 1/2x 26"
mk65 ca.1635 Oil_on_panel 27_1/2x_26"
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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