Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Bacchanal auf Andros, nach einem Gemalde von Tizian oil


Bacchanal auf Andros, nach einem Gemalde von Tizian
Painting ID::  71897
Bacchanal auf Andros, nach einem Gemalde von Tizian
c. 1535 Oil on canvas 200 x 215 cm (78.74 x 84.65 in)
   
   
     

Peter Paul Rubens The Great Last Judgement by Pieter Paul Rubens oil


The Great Last Judgement by Pieter Paul Rubens
Painting ID::  71960
The Great Last Judgement by Pieter Paul Rubens
The Great Last Judgement by Pieter Paul Rubens (1577 - 1640), canvas, 608.5 cm x 463.5 cm
   
   
     

Peter Paul Rubens Ceres mit zwei Nymphen oil


Ceres mit zwei Nymphen
Painting ID::  72008
Ceres mit zwei Nymphen
1620 - 1628 Oil on canvas 223 x 162 cm
1620_-_1628 _ _Oil_on_canvas _ _223_x_162_cm
   
   
     

Peter Paul Rubens Cupid (Eros) Carves the Bow oil


Cupid (Eros) Carves the Bow
Painting ID::  72012
Cupid (Eros) Carves the Bow
1614 Oil on canvas 142 X 108 cm
1614 _ _Oil_on_canvas _ _142_X_108_cm
   
   
     

Peter Paul Rubens The Fall of Phaeton oil


The Fall of Phaeton
Painting ID::  72020
The Fall of Phaeton
Peter Paul Rubens: The Fall of Phaeton, c. 1604/1605, probably reworked c. 1606/1608 Oil on canvas, 98.4 X 131.2 cm (38 3/4 X 51 5/8 in.)
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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