Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens The Village Fete oil


The Village Fete
Painting ID::  84071
The Village Fete
Date between 1635(1635) and 1638(1638) Medium Oil on wood Dimensions Height: 149 cm (58.7 in). Width: 261 cm (102.8 in). cjr
   
   
     

Peter Paul Rubens Ulysses and Nausicaa on the Island of the Phaeacians oil


Ulysses and Nausicaa on the Island of the Phaeacians
Painting ID::  84072
Ulysses and Nausicaa on the Island of the Phaeacians
Date ca. 1627(1627) Medium Oil on wood Dimensions Height: 128 cm (50.4 in). Width: 207 cm (81.5 in). cjr
   
   
     

Peter Paul Rubens Small Last Judgement oil


Small Last Judgement
Painting ID::  84077
Small Last Judgement
Date first half of 17th century Medium Oil on wood Dimensions Height: 183.3 cm (72.2 in). Width: 119 cm (46.9 in). cjr
   
   
     

Peter Paul Rubens Isabella Brandt oil


Isabella Brandt
Painting ID::  84112
Isabella Brandt
Date ca. 1626(1626) Medium Oil on oak Dimensions Height: 98 cm (38.6 in). Width: 72 cm (28.3 in). cjr
   
   
     

Peter Paul Rubens Dance of Italian Villagers oil


Dance of Italian Villagers
Painting ID::  84114
Dance of Italian Villagers
Date ca. 1636(1636) Medium Oil on wood Dimensions Height: 73 cm (28.7 in). Width: 106 cm (41.7 in). cjr
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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