Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Hercules and Minerva Fighting Mars (mk01) oil


Hercules and Minerva Fighting Mars (mk01)
Painting ID::  20278
Hercules and Minerva Fighting Mars (mk01)
c.1634-7 Gouache over black chalk; 37x53.9cm 14 5/8x21 1/4in Musee du Louvre,Paris
   
   
     

Peter Paul Rubens The Coronation of St Catherine (mk01) oil


The Coronation of St Catherine (mk01)
Painting ID::  20281
The Coronation of St Catherine (mk01)
1631 Oil on canvas; 265.8x214.3cm 104 5/8x84 /8in Toledo Museum of Art, Ohio
   
   
     

Peter Paul Rubens The Crucifixion of St Peter (mk01) oil


The Crucifixion of St Peter (mk01)
Painting ID::  20282
The Crucifixion of St Peter (mk01)
C.1638-40 Oil on canvas; 328x220cm 129 3/8
C.1638-40 Oil_on_canvas; 328x220cm 129_3/8
   
   
     

Peter Paul Rubens Landscape with the Tower of Steen (mk01) oil


Landscape with the Tower of Steen (mk01)
Painting ID::  20285
Landscape with the Tower of Steen (mk01)
c.1632-7 Oil on panel; 24x30cm 9 1/2x11 3/4in Gemalde-galerie,Berlin
   
   
     

Peter Paul Rubens The Chateau de Steen (mk01) oil


The Chateau de Steen (mk01)
Painting ID::  20286
The Chateau de Steen (mk01)
C.1635-8 Oil on panel; 131.5x229.5cm 51 3/4x90 38/in National Gallery, London
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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