Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens The Four Philosophers oil


The Four Philosophers
Painting ID::  30011
The Four Philosophers
mk67 Oil on panel 64 9/16x5411/16in Pitti,Palatine Gallery
   
   
     

Peter Paul Rubens Christ Risen oil


Christ Risen
Painting ID::  30012
Christ Risen
mk67 Oil on canvas 74x61in Pitti,Palatine Gallery
mk67 Oil_on_canvas 74x61in Pitti,Palatine_Gallery
   
   
     

Peter Paul Rubens Portrait of Isabella Brant oil


Portrait of Isabella Brant
Painting ID::  30013
Portrait of Isabella Brant
mk67 Oil on panel 33 7/8x28 3/8in Uffizi,Gallery
mk67 Oil_on_panel 33_7/8x28_3/8in Uffizi,Gallery
   
   
     

Peter Paul Rubens Henry IV at the Battle of Ivry oil


Henry IV at the Battle of Ivry
Painting ID::  30014
Henry IV at the Battle of Ivry
mk67 Oil on canvas 44 1/2x272 13/16in Uffizi,Gallery
mk67 Oil_on_canvas 44_1/2x272_13/16in Uffizi,Gallery
   
   
     

Peter Paul Rubens Judith with the Head of Holofernes oil


Judith with the Head of Holofernes
Painting ID::  30015
Judith with the Head of Holofernes
mk67 Oil on canvas 44 1/2x35in Uffizi,Gallery
mk67 Oil_on_canvas 44_1/2x35in Uffizi,Gallery
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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