Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Reiterbidnis of the duke of Lerma oil


Reiterbidnis of the duke of Lerma
Painting ID::  45805
Reiterbidnis of the duke of Lerma
mk178 1603 oils on linen 283x200cm
mk178_ 1603_ oils_on_linen_ 283x200cm
   
   
     

Peter Paul Rubens Horseman likeness of the duke of Lerma oil


Horseman likeness of the duke of Lerma
Painting ID::  45846
Horseman likeness of the duke of Lerma
mk178 1603 oils on linen 283x200cm
mk178_ 1603 oils_on_linen_ 283x200cm
   
   
     

Peter Paul Rubens Philipp IV from Spain to horse oil


Philipp IV from Spain to horse
Painting ID::  45848
Philipp IV from Spain to horse
mk178 around 1645 oils on linen 337x263cm
mk178 around_1645_ oils_on_linen_337x263cm
   
   
     

Peter Paul Rubens The fight for the standard oil


The fight for the standard
Painting ID::  45862
The fight for the standard
mk178 around 1600-1608 black chalk, feather, gray and women cover color and India ink on paper 45.2x63.7cm
   
   
     

Peter Paul Rubens Perseus and Andromeda oil


Perseus and Andromeda
Painting ID::  45878
Perseus and Andromeda
mk178 around 1650 oils on linen 99.5x139cm
mk178 around_1650_oils_on_linen_99.5x139cm
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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