Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Bathseba am Brunnen oil


Bathseba am Brunnen
Painting ID::  72027
Bathseba am Brunnen
1st half of 17th century Oil on panel 175 X 126 cm (68.9 X 49.61 in)
   
   
     

Peter Paul Rubens Saint Ambrose forbids emperor Theodosius I to enter the church oil


Saint Ambrose forbids emperor Theodosius I to enter the church
Painting ID::  72075
Saint Ambrose forbids emperor Theodosius I to enter the church
um 1615/1616 Oil on canvas 362 x 246 cm
um_1615/1616_ Oil_on_canvas _ _362_x_246_cm
   
   
     

Peter Paul Rubens Mourning over Christ by Mary and John. oil


Mourning over Christ by Mary and John.
Painting ID::  72507
Mourning over Christ by Mary and John.
1614 Oil on panel cjr
1614 _ Oil_on_panel_ cjr
   
   
     

Peter Paul Rubens Reuige Magdalena und ihre Schwester Martha oil


Reuige Magdalena und ihre Schwester Martha
Painting ID::  72543
Reuige Magdalena und ihre Schwester Martha
um 1620 Oil on canvas 205 x 157 cm cjr
um_1620_ _Oil_on_canvas _ 205_x_157_cm_ cjr
   
   
     

Peter Paul Rubens four great rivers of Antiquity oil


four great rivers of Antiquity
Painting ID::  73055
four great rivers of Antiquity
Date Deutsch: um 1615 Medium Oil on canvas Dimensions Deutsch: allseitig beschnitten: 208 x 283 cm Rahmenmaße: 240 x 318 x 11 cm cyf
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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