Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Reuige Magdalena und ihre Schwester Martha oil


Reuige Magdalena und ihre Schwester Martha
Painting ID::  74303
Reuige Magdalena und ihre Schwester Martha
Date Deutsch: um 1620 Medium Oil on canvas Dimensions Deutsch: 205 x 157 cm Rahmenmaße: 239,5 x 192 x 11,2 cm cyf
   
   
     

Peter Paul Rubens Study of Two Heads oil


Study of Two Heads
Painting ID::  74627
Study of Two Heads
Oil on panel 69.9 x 52.1 cm cjr
Oil_on_panel _ _69.9_x_52.1_cm _ cjr
   
   
     

Peter Paul Rubens Der Tod des Decius Mus in der Schlacht oil


Der Tod des Decius Mus in der Schlacht
Painting ID::  74909
Der Tod des Decius Mus in der Schlacht
1618 Oil on canvas 288 cm x 497 cm cjr
1618 _ Oil_on_canvas _ 288_cm_x_497_cm _ cjr
   
   
     

Peter Paul Rubens The Martyrdom of St Livinus oil


The Martyrdom of St Livinus
Painting ID::  75265
The Martyrdom of St Livinus
The Martyrdom of St Livinus by Rubens.jpg Rubens oil painting: The Martyrdom of St Livinus. Size: 455 x 347 cm. Location: Musees Royaux des Beaux-Arts, Brussels Date 1633 cyf
   
   
     

Peter Paul Rubens Konigin von Frankreich in Paris oil


Konigin von Frankreich in Paris
Painting ID::  75353
Konigin von Frankreich in Paris
Date 1630-1640 Medium Oil on canvas cyf
Date_1630-1640 _ Medium_Oil_on_canvas _ cyf
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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