Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Marchesa Brigida Spinola Doria. oil


Marchesa Brigida Spinola Doria.
Painting ID::  76714
Marchesa Brigida Spinola Doria.
1606 Oil on canvas 152.5 ?? 99 cm (60.04 ?? 38.98 in) cjr
   
   
     

Peter Paul Rubens Marchesa Brigida Spinola Doria oil


Marchesa Brigida Spinola Doria
Painting ID::  77165
Marchesa Brigida Spinola Doria
Date 1606 Medium Oil on canvas Dimensions 152.5 ?? 99 cm (60 ?? 39 in) cyf
   
   
     

Peter Paul Rubens Portrait of Johanna of Austria 1621-1625 oil


Portrait of Johanna of Austria 1621-1625
Painting ID::  77308
Portrait of Johanna of Austria 1621-1625
1621-1625 cjr
1621-1625 cjr
   
   
     

Peter Paul Rubens Equestrian Portrait of the George Villiers, oil


Equestrian Portrait of the George Villiers,
Painting ID::  77494
Equestrian Portrait of the George Villiers,
Equestrian Portrait of the George Villiers, 1st Duke of Buckingham, oil on panel painting by Peter Paul Rubens, 1625, Kimbell Art Museum cjr
   
   
     

Peter Paul Rubens Portrait of Johanna of Austria oil


Portrait of Johanna of Austria
Painting ID::  77590
Portrait of Johanna of Austria
Date 1621-1625 Medium Oil cyf
Date_1621-1625 _ Medium_Oil _ cyf
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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