Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Las Meninas (mk01) oil


Las Meninas (mk01)
Painting ID::  20221
Las Meninas (mk01)
1656 Oil on canvas; 318x276cm 125 1/4x108in Museo del Prado Madrid
   
   
     

Peter Paul Rubens The Family of Sir Balthasar Gerbier (mk01) oil


The Family of Sir Balthasar Gerbier (mk01)
Painting ID::  20226
The Family of Sir Balthasar Gerbier (mk01)
1629-30 Oil on canvas, 166x178cm 653/8x 70 1/8in National Gallery of Art, Washington DC.
   
   
     

Peter Paul Rubens Thomas Howard,Earl of Arundel (mk01) oil


Thomas Howard,Earl of Arundel (mk01)
Painting ID::  20228
Thomas Howard,Earl of Arundel (mk01)
1629-30 Oil on canvas; 122x102cm 48x40 1/8in Isabella Stewart Gardner Museum,Boston
   
   
     

Peter Paul Rubens The Apotheosis of Fames I and Other Studies (mk01) oil


The Apotheosis of Fames I and Other Studies (mk01)
Painting ID::  20229
The Apotheosis of Fames I and Other Studies (mk01)
C.1630 Oil on panel; 95x63.1cm 37 3/8x24 7/8in National Gallery, London
   
   
     

Peter Paul Rubens Landscape with St George and the Dragon (mk01) oil


Landscape with St George and the Dragon (mk01)
Painting ID::  20230
Landscape with St George and the Dragon (mk01)
1629--30 Oil on canvas; 153x226cm 60 3/4x89in Royal Collection,Windsor Castle
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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