Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens The Amazonenschlacht oil


The Amazonenschlacht
Painting ID::  45886
The Amazonenschlacht
mk178 around 1617 oils on wood 121x165cm
mk178 around_1617_oils_on_wood_121x165cm
   
   
     

Peter Paul Rubens Hunt on hippopotamus and crocodile oil


Hunt on hippopotamus and crocodile
Painting ID::  45921
Hunt on hippopotamus and crocodile
nj178 1615/16 oil on linen 248x321cm
nj178_ 1615/16_ oil_on_linen_248x321cm
   
   
     

Peter Paul Rubens Tiger-and Lowenjagd oil


Tiger-and Lowenjagd
Painting ID::  45935
Tiger-and Lowenjagd
mk178 around 1616 oils on linen 256x324cm
mk178 _around_1616_ oils_on_linen_ 256x324cm
   
   
     

Peter Paul Rubens Portrait of Schubert, Franz oil


Portrait of Schubert, Franz
Painting ID::  48659
Portrait of Schubert, Franz
mk191 about 1620-1625 oil on canvas 79x55cm
mk191 about_1620-1625 oil_on_canvas 79x55cm
   
   
     

Peter Paul Rubens Detail of portrait of  Schubert, Franz oil


Detail of portrait of Schubert, Franz
Painting ID::  48660
Detail of portrait of Schubert, Franz
mk191 Oil on canvas
mk191 Oil_on_canvas
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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