Philip Hermogenes Calderon

English genre, portraits, domestic and historical scenes Painter, 1833-1898 English painter of Spanish and French descent. His father, at one time a Roman Catholic priest, was Professor of Spanish Literature at King's College, London. Calderon studied at James M. Leigh's school in London in 1850, then in Paris at the studio of Fran?ois-Edouard Picot. He lived near by in Montmartre, sharing a room with fellow art student Henry Stacy Marks. He exhibited his first Royal Academy painting, By the Waters of Babylon (London, Tate), in 1853 and thereafter became a regular exhibitor until 1897. He first made his name with Broken Vows (London, Tate), exhibited in 1857. The painting shows a woman overhearing through a garden fence her lover betraying her and was painted in the detailed, clean-cut style associated with the Pre-Raphaelites.


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Philip Hermogenes Calderon Broken Vows oil


Broken Vows
Painting ID::  28016
Broken Vows
1856 Oil on canvas 91.4 x 67.9 cm (36 x 26 3/4 in) Tate Gallery London (mk63)
   
   
     

Philip Hermogenes Calderon Her Most High,Noble and Puissant Grace oil


Her Most High,Noble and Puissant Grace
Painting ID::  28208
Her Most High,Noble and Puissant Grace
1865 Oil on canvas 119.4 x 213.4 cm (47 x 84 in)Leeds City Art Gallery (mk63)
   
   
     

Philip Hermogenes Calderon Words of Love oil


Words of Love
Painting ID::  98256
Words of Love
1863(1863) Medium oil on canvas Dimensions 91.5 x 71 cm cyf
   
   
     

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     Philip Hermogenes Calderon
     English genre, portraits, domestic and historical scenes Painter, 1833-1898 English painter of Spanish and French descent. His father, at one time a Roman Catholic priest, was Professor of Spanish Literature at King's College, London. Calderon studied at James M. Leigh's school in London in 1850, then in Paris at the studio of Fran?ois-Edouard Picot. He lived near by in Montmartre, sharing a room with fellow art student Henry Stacy Marks. He exhibited his first Royal Academy painting, By the Waters of Babylon (London, Tate), in 1853 and thereafter became a regular exhibitor until 1897. He first made his name with Broken Vows (London, Tate), exhibited in 1857. The painting shows a woman overhearing through a garden fence her lover betraying her and was painted in the detailed, clean-cut style associated with the Pre-Raphaelites.

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