Philipp Otto Runge

German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
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Philipp Otto Runge Rest on the Flight into Egypt (mk10) oil


Rest on the Flight into Egypt (mk10)
Painting ID::  21816 		Rest on the Flight into Egypt (mk10)
1805-1806,Oil on canvas 96.5 x 129.5 cm Hamburg,Kunsthalle
1805-1806,Oil_on_canvas_96.5_x_129.5_cm Hamburg,Kunsthalle
   
   
     
Philipp Otto Runge detail Rest on the Flight into Egypt (mk10) oil


detail Rest on the Flight into Egypt (mk10)
Painting ID::  21818 		detail Rest on the Flight into Egypt (mk10)
1805-1806,Oil on canvas 96.5 x 129.5 cm Hamburg,Kunsthalle
1805-1806,Oil_on_canvas_96.5_x_129.5_cm Hamburg,Kunsthalle
   
   
     
Philipp Otto Runge Ossian (mk10) oil


Ossian (mk10)
Painting ID::  21868 		Ossian (mk10)
1804,pen and ink 39.7 x 24.1 cm Hamburg,Kunsthalle
1804,pen_and_ink_ 39.7_x_24.1_cm Hamburg,Kunsthalle
   
   
     
Philipp Otto Runge Self-Portrait oil


Self-Portrait
Painting ID::  26991 		Self-Portrait
mk52 c.1805 Black and white chalk on paper 55.5x43.5cm Kunsthalle,Hamburg
   
   
     
Philipp Otto Runge The Hulsenbeck Children oil


The Hulsenbeck Children
Painting ID::  33846 		The Hulsenbeck Children
mk86 1805/06 Oil on canvas 130.5x140.5cm Hamburg,Hamburger Kunsthalle
   
   
     
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     Philipp Otto Runge
     German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,

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