Philipp Otto Runge

German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,


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Philipp Otto Runge Hyacinth,Cornflower,Tulip oil


Hyacinth,Cornflower,Tulip
Painting ID::  38921
Hyacinth,Cornflower,Tulip
mk141 undated cut-outs,white paper on a blue background
mk141 undated cut-outs,white_paper_on_a_blue_background
   
   
     

Philipp Otto Runge Morning oil


Morning
Painting ID::  40650
Morning
mk156 1808-09 Oil on canvas 109x85.5cm
mk156 1808-09 Oil_on_canvas 109x85.5cm
   
   
     

Philipp Otto Runge The Small Morning oil


The Small Morning
Painting ID::  43984
The Small Morning
1809-10 Oil on canvas, 109 x 86 cm
1809-10_ Oil_on_canvas,_ 109_x_86_cm
   
   
     

Philipp Otto Runge The Lesson of the Nightingale oil


The Lesson of the Nightingale
Painting ID::  44000
The Lesson of the Nightingale
1804-05 Oil on canvas, 105 x 86 cm
1804-05_ Oil_on_canvas,_ 105_x_86_cm
   
   
     

Philipp Otto Runge The Great Morning oil


The Great Morning
Painting ID::  52520
The Great Morning
1809-10 Oil on canvas, 152 x 113 cm
1809-10_Oil_on_canvas,_152_x_113_cm
   
   
     

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     Philipp Otto Runge
     German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,

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