Philippe de Champaigne

1602-1674 Philippe de Champaigne Locations His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
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Philippe de Champaigne The Nativity oil


The Nativity
Painting ID::  51726 		The Nativity
nn09 1643 OIl on canvas 207x116cm
nn09 1643 OIl_on_canvas 207x116cm
   
   
     
Philippe de Champaigne A portrait of a man oil


A portrait of a man
Painting ID::  57266 		A portrait of a man
mk255 for in 1650. Canvas 0.91 x 0.72 meters high. Paris, the Louvre
   
   
     
Philippe de Champaigne little girl with falcon oil


little girl with falcon
Painting ID::  64392 		little girl with falcon
1628 paris, louvre
1628 paris,_louvre
   
   
     
Philippe de Champaigne Ecce Homo oil


Ecce Homo
Painting ID::  68281 		Ecce Homo
Description Ecce Homo Date XVIIe siecle Source/Photographer Huile sur toile
   
   
     
Philippe de Champaigne eccehomo oil


eccehomo
Painting ID::  74238 		eccehomo
Description Ecce Homo Date XVIIe siecle Source/Photographer Huile sur toile Permission (Reusing this file) See below. cyf
   
   
     
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     Philippe de Champaigne
     1602-1674 Philippe de Champaigne Locations His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.

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