Pierre-Auguste Renoir

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.


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Pierre-Auguste Renoir On the Terrace (mk09) oil


On the Terrace (mk09)
Painting ID::  21490
On the Terrace (mk09)
1881 Oil on canvas 100 x 80 cm Chicago(IL)The Art Institure of Chicago
   
   
     

Pierre-Auguste Renoir Bather with Long Blonde Hair (mk09) oil


Bather with Long Blonde Hair (mk09)
Painting ID::  21491
Bather with Long Blonde Hair (mk09)
1895 Oil on canvas,92.7 x 74.3 cm Vienna,Kunsthistori-Sches Museum
   
   
     

Pierre-Auguste Renoir Dance at the Moulin de la Galette (nn02) oil


Dance at the Moulin de la Galette (nn02)
Painting ID::  23027
Dance at the Moulin de la Galette (nn02)
1876 Oil on canvas 51 1/2x69".Musee d'Orsay, Paris. Bequest of Gustave Caillebotte, 1894
   
   
     

Pierre-Auguste Renoir Ball at the Moulin de la Galette (nn03) oil


Ball at the Moulin de la Galette (nn03)
Painting ID::  23465
Ball at the Moulin de la Galette (nn03)
1876 Oil on canvas 78 x 114 cm 31 x 44 1/2in Private collection
   
   
     

Pierre-Auguste Renoir Femme d'Alger (mk32) oil


Femme d'Alger (mk32)
Painting ID::  25193
Femme d'Alger (mk32)
ou Odalisque huile sur toile signee et datee 70 69.2 x 122.6 cm National Gallery of Washington Chester Dale Coll Peinte onze ans avant le voyage de Renoir a Alger cette odalisque suit la tradition des representations de femmes allongees qui remonte a la Renaissance
   
   
     

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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