Pierre-Auguste Renoir

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
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Pierre-Auguste Renoir Railway Bridge at Chatou oil


Railway Bridge at Chatou
Painting ID::  28541 		Railway Bridge at Chatou
1881 1' 9 1/4'' x 2' 1 3/4 ''(54 x 65.5 cm) Bequest of Gustave Caillebotte
   
   
     
Pierre-Auguste Renoir Ride in the Bois de Boulogne (Madame Henriette Darras) oil


Ride in the Bois de Boulogne (Madame Henriette Darras)
Painting ID::  28547 		Ride in the Bois de Boulogne (Madame Henriette Darras)
1873 Oil on canvas 261 x 226 cm Hamburg Kunsthalle (mk64)
1873 Oil_on_canvas_261_x_226_cm Hamburg_Kunsthalle_(mk64)
   
   
     
Pierre-Auguste Renoir Head of a Dog oil


Head of a Dog
Painting ID::  28550 		Head of a Dog
1870 Oil on canvas 21.9 x 20 cm Washington D C National Gallery of Art Ailsa Mellon Bruce Collection (mk64)
   
   
     
Pierre-Auguste Renoir Monet Painting in his Garden oil


Monet Painting in his Garden
Painting ID::  28570 		Monet Painting in his Garden
1873 Hartford Wadsworth Atheneum (mk64)
1873 Hartford_Wadsworth_Atheneum_(mk64)
   
   
     
Pierre-Auguste Renoir Girl with a Fan oil


Girl with a Fan
Painting ID::  29351 		Girl with a Fan
mk65 1881 Oil on canvas 25 1/2x19 1/2"
mk65 1881 Oil_on_canvas 25_1/2x19_1/2"
   
   
     
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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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