Pietro Perugino

Italian 1450-1523 Pietro Perugino Galleries Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.
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Pietro Perugino Tobias with the Angel Raphael oil


Tobias with the Angel Raphael
Painting ID::  84473 		Tobias with the Angel Raphael
Date between 1500(1500) and 1505(1505) Medium Oil and tempera on wood Dimensions Height: 113.3 cm (44.6 in). Width: 56.5 cm (22.2 in). cjr
   
   
     
Pietro Perugino Assumption of the Virgin with Four Saints oil


Assumption of the Virgin with Four Saints
Painting ID::  85791 		Assumption of the Virgin with Four Saints
Date 1500(1500) Medium Oil on wood cjr
Date_1500(1500) _ Medium_Oil_on_wood _ cjr
   
   
     
Pietro Perugino Assumption of the Virgin with Four Saints oil


Assumption of the Virgin with Four Saints
Painting ID::  85792 		Assumption of the Virgin with Four Saints
Date 1500(1500) Medium Oil on wood cjr
Date_1500(1500) _ Medium_Oil_on_wood _ cjr
   
   
     
Pietro Perugino The Vision of St Bernard oil


The Vision of St Bernard
Painting ID::  85793 		The Vision of St Bernard
Date 1493(1493) Medium Oil on wood cjr
Date_1493(1493) _ Medium_Oil_on_wood _ cjr
   
   
     
Pietro Perugino Archangel Michael oil


Archangel Michael
Painting ID::  85889 		Archangel Michael
Date c. 1499(1499) Medium Oil and tempera on poplar Dimensions Height: 126 cm (49.6 in). Width: 58 cm (22.8 in). cjr
   
   
     
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     Pietro Perugino
     Italian 1450-1523 Pietro Perugino Galleries Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.

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