Pollard, James

English, 1792-1867 Painter and etcher, son of Robert Pollard. His early career was spent in the shadow of his father, for whom he worked as an etcher of miscellaneous sporting subjects before establishing himself c. 1820 as a sporting painter in his own right. A typical example is Doncaster Races: Horses Starting for the St Leger (1831; Paul Mellon priv. col.). Following a commission from the King's Printseller, Edward Orme, for an inn signboard showing a coach and horses, Pollard began to specialize in coaching scenes.
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Pollard, James The Last Mail Leaving Newcastle, July 5, 1847 oil


The Last Mail Leaving Newcastle, July 5, 1847
Painting ID::  19909 		The Last Mail Leaving Newcastle, July 5, 1847
Oil on panel.
Oil_on_panel.
   
   
     
Pollard, James Hatchetts- The White Horse Cellar, Piccadilly oil


Hatchetts- The White Horse Cellar, Piccadilly
Painting ID::  19910 		Hatchetts- The White Horse Cellar, Piccadilly
Oil on canvas.
Oil_on_canvas.
   
   
     
Pollard, James Springing Them up to meet the Train and Just in time for the Coach to Hull oil


Springing Them up to meet the Train and Just in time for the Coach to Hull
Painting ID::  27315 		Springing Them up to meet the Train and Just in time for the Coach to Hull
both signed one dated 1843-oil on panel 6 1/2 x 9 1/4 in (16.5 x 23.5 cm) (mk59)
   
   
     
Pollard, James A Meet Outside The Swan inn oil


A Meet Outside The Swan inn
Painting ID::  27435 		A Meet Outside The Swan inn
signed oil on board 8 by 12 in .20.3 by 30.5 cm (mk59)
signed_oil_on_board_8_by_12_in_.20.3_by_30.5_cm_(mk59)
   
   
     
Pollard, James The Royal Mail Coaches for the North Ieaving the Angel Islington oil


The Royal Mail Coaches for the North Ieaving the Angel Islington
Painting ID::  28010 		The Royal Mail Coaches for the North Ieaving the Angel Islington
1827 Oil on canvas 103.2 x 146.4cm (40 3/4 x 57 3/4 in) Tate Gallery London (mk63)
   
   
     
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     Pollard, James
     English, 1792-1867 Painter and etcher, son of Robert Pollard. His early career was spent in the shadow of his father, for whom he worked as an etcher of miscellaneous sporting subjects before establishing himself c. 1820 as a sporting painter in his own right. A typical example is Doncaster Races: Horses Starting for the St Leger (1831; Paul Mellon priv. col.). Following a commission from the King's Printseller, Edward Orme, for an inn signboard showing a coach and horses, Pollard began to specialize in coaching scenes.

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