Pontormo

Italian Mannerist Painter, 1494-ca.1556 Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.


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Pontormo Michelangelo oil


Michelangelo
Painting ID::  62015
Michelangelo
mk276 1520 years Medici Chapel in Florence
mk276_1520_years_Medici_Chapel_in_Florence
   
   
     

Pontormo Michelangelo oil


Michelangelo
Painting ID::  62016
Michelangelo
mk276 1520 years Medici Chapel in Florence
mk276_1520_years_Medici_Chapel_in_Florence
   
   
     

Pontormo Castiglione portrait oil


Castiglione portrait
Painting ID::  62017
Castiglione portrait
mk276 1525 Oil on canvas 83 x 67cm Paris Louvre
mk276_1525_Oil_on_canvas_83_x_67cm_Paris_Louvre
   
   
     

Pontormo Son and out of Notre Dame St. oil


Son and out of Notre Dame St.
Painting ID::  62023
Son and out of Notre Dame St.
mk276 1505 Oil on canvas 185 x 171cm Florence Chapel of Our Lady
   
   
     

Pontormo Access map oil


Access map
Painting ID::  62024
Access map
mk276 1514 Mural 392 x 337cm years Annunciation Church in Florence
   
   
     

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     Pontormo
     Italian Mannerist Painter, 1494-ca.1556 Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.

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