RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,


       Prev  41  42  43  44  45  46  47  48  49  50   Next
  Prev Artist       Next Artist     

   
    

RAFFAELLO Sanzio Diotalevi Madonna oil


Diotalevi Madonna
Painting ID::  82579
Diotalevi Madonna
Date ca. 1503(1503) Medium Oil on wood Dimensions Height: 69 cm (27.2 in). Width: 50 cm (19.7 in). cjr
   
   
     

RAFFAELLO Sanzio Solly Madonna oil


Solly Madonna
Painting ID::  82580
Solly Madonna
Date ca. 1502(1502) Medium Oil on wood Dimensions Height: 52 cm (20.5 in). Width: 38 cm (15 in). cjr
   
   
     

RAFFAELLO Sanzio Madonna and Child oil


Madonna and Child
Painting ID::  82581
Madonna and Child
Date ca. 1505(1505) Medium Oil on wood Dimensions Height: 209.6 cm (82.5 in). Width: 148.6 cm (58.5 in). cjr
   
   
     

RAFFAELLO Sanzio Portrait of a Man oil


Portrait of a Man
Painting ID::  82591
Portrait of a Man
Date ca. 1502(1502) Medium Oil on wood Dimensions Height: 45 cm (17.7 in). Width: 31 cm (12.2 in). cjr
   
   
     

RAFFAELLO Sanzio St Catherine of Alexandria oil


St Catherine of Alexandria
Painting ID::  82797
St Catherine of Alexandria
1508(1508) Medium Oil on wood cyf
1508(1508) _ Medium_Oil_on_wood _ cyf
   
   
     

       Prev  41  42  43  44  45  46  47  48  49  50   Next
Prev Artist       Next Artist     

     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings