RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,


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RAFFAELLO Sanzio The Engagement of Virgin Mary oil


The Engagement of Virgin Mary
Painting ID::  88331
The Engagement of Virgin Mary
1504(1504) Medium Oil on roundheaded panel cyf
1504(1504) _ Medium_Oil_on_roundheaded_panel _ cyf
   
   
     

RAFFAELLO Sanzio Portrait of Julius II oil


Portrait of Julius II
Painting ID::  88334
Portrait of Julius II
between 1511(1511) and 1512(1512) Medium Oil on wood cyf
   
   
     

RAFFAELLO Sanzio Guidobaldo da Montefeltro oil


Guidobaldo da Montefeltro
Painting ID::  88335
Guidobaldo da Montefeltro
1507(1507) Medium Oil on wood cyf
1507(1507) _ Medium_Oil_on_wood _ cyf
   
   
     

RAFFAELLO Sanzio Young Man with an Apple oil


Young Man with an Apple
Painting ID::  88336
Young Man with an Apple
1505(1505) Medium Oil on wood cyf
1505(1505) _ Medium_Oil_on_wood _ cyf
   
   
     

RAFFAELLO Sanzio Madonna with the Blue Diadem oil


Madonna with the Blue Diadem
Painting ID::  88339
Madonna with the Blue Diadem
between 1510(1510) and 1511(1511) Medium Oil on wood cyf
   
   
     

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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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