RECCO, Giuseppe

Italian Baroque Era Painter, 1634-1695 Son of Giacomo Recco. He was the most celebrated Neapolitan still-life painter of his day. He began in the tradition of his father and (probable) uncle Giovan Battista Recco, painting naturalistic arrangements of flowers, fish, game and kitchen scenes. There are many signed and dated works which chart the development of his style. The Bodeg?n with a Negro and Musical Instruments (1659; Madrid, Medibacoeli priv. col.), the Bodeg?n with Fish (1664; Paris, Moret priv. col.) and the Kitchen Interior (1675; Vienna, Ksthist. Mus.) are close to the art of Giovan Battista Recco. The fish and kitchen still-lifes are typically Neapolitan, yet Giuseppe's art is distinguished by the intensity with which he observes light and surface texture and by the clarity of the composition, based on a careful balance of horizontals and verticals. He moved toward a more Baroque and decorative style, and the unfinished Still-life with Fruit, Flowers and Birds (1672) and the Still-life with Fruit and Flowers
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RECCO, Giuseppe Natura Morta con Frutta e Fiori oil


Natura Morta con Frutta e Fiori
Painting ID::  70269 		Natura Morta con Frutta e Fiori
Medium Oil on canvas
Medium_Oil_on_canvas
   
   
     
RECCO, Giuseppe Natura Morta con Frutta e Fiori oil


Natura Morta con Frutta e Fiori
Painting ID::  76153 		Natura Morta con Frutta e Fiori
Date c. 1670 Medium Oil on canvas cyf
Date_c._1670 _ Medium_Oil_on_canvas _ cyf
   
   
     
RECCO, Giuseppe Still-life with the Five Senses oil


Still-life with the Five Senses
Painting ID::  76553 		Still-life with the Five Senses
Date 1676 Medium Oil on canvas cyf
Date_1676 _ Medium_Oil_on_canvas _ cyf
   
   
     
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     RECCO, Giuseppe
     Italian Baroque Era Painter, 1634-1695 Son of Giacomo Recco. He was the most celebrated Neapolitan still-life painter of his day. He began in the tradition of his father and (probable) uncle Giovan Battista Recco, painting naturalistic arrangements of flowers, fish, game and kitchen scenes. There are many signed and dated works which chart the development of his style. The Bodeg?n with a Negro and Musical Instruments (1659; Madrid, Medibacoeli priv. col.), the Bodeg?n with Fish (1664; Paris, Moret priv. col.) and the Kitchen Interior (1675; Vienna, Ksthist. Mus.) are close to the art of Giovan Battista Recco. The fish and kitchen still-lifes are typically Neapolitan, yet Giuseppe's art is distinguished by the intensity with which he observes light and surface texture and by the clarity of the composition, based on a careful balance of horizontals and verticals. He moved toward a more Baroque and decorative style, and the unfinished Still-life with Fruit, Flowers and Birds (1672) and the Still-life with Fruit and Flowers

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