RENI, Guido

Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.
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RENI, Guido St Cecilia wrw oil


St Cecilia wrw
Painting ID::  8869 		St Cecilia wrw
1606 Oil on canvas, 94 x 75 cm Norton Simon Museum of Art, Pasadena
   
   
     
RENI, Guido David with the Head of Goliath sg oil


David with the Head of Goliath sg
Painting ID::  8870 		David with the Head of Goliath sg
1605 Oil on canvas, 220 x 145 cm Mus??e du Louvre, Paris
1605 Oil_on_canvas,_220_x_145_cm Mus??e_du_Louvre,_Paris
   
   
     
RENI, Guido Girl with a Rose st oil


Girl with a Rose st
Painting ID::  8871 		Girl with a Rose st
Oil on canvas, 81 x 62 cm Museo del Prado, Madrid
Oil_on_canvas,_81_x_62_cm Museo_del_Prado,_Madrid
   
   
     
RENI, Guido Massacre of the Innocents oil


Massacre of the Innocents
Painting ID::  8872 		Massacre of the Innocents
1611 Oil on canvas, 268 x 170 cm Pinacoteca Nazionale, Bologna
   
   
     
RENI, Guido Moses rty oil


Moses rty
Painting ID::  8873 		Moses rty
1600-10 Oil on canvas Galleria Borghese, Rome
1600-10 Oil_on_canvas Galleria_Borghese,_Rome
   
   
     
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     RENI, Guido
     Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.

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