RENI, Guido

Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.
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RENI, Guido The Penitent Magdalene dj oil


The Penitent Magdalene dj
Painting ID::  8884 		The Penitent Magdalene dj
1635 Oil on canvas Walters Art Gallery, Baltimore
1635 Oil_on_canvas Walters_Art_Gallery,_Baltimore
   
   
     
RENI, Guido St Mary Magdalene oil


St Mary Magdalene
Painting ID::  8885 		St Mary Magdalene
1633 Oil on canvas, 234 x 151 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     
RENI, Guido Joseph and Potiphar's Wife oil


Joseph and Potiphar's Wife
Painting ID::  8886 		Joseph and Potiphar's Wife
c. 1631 Oil on canvas, 227 x 195 cm Pushkin Museum, Moscow
   
   
     
RENI, Guido The Death of Cleopatra oil


The Death of Cleopatra
Painting ID::  28119 		The Death of Cleopatra
mk61 c.1635 Oil on canvas 110x94cm
mk61 c.1635 Oil_on_canvas 110x94cm
   
   
     
RENI, Guido Atalanta and Hippomenes oil


Atalanta and Hippomenes
Painting ID::  31374 		Atalanta and Hippomenes
nn07 c. 1612 Oil on canvas, 206 x 297 cm Museo del Prado, Madrid
   
   
     
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     RENI, Guido
     Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.

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