RENI, Guido

Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.


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RENI, Guido Hl. Matthaus Evangelist und der Engel oil


Hl. Matthaus Evangelist und der Engel
Painting ID::  68402
Hl. Matthaus Evangelist und der Engel
Technique Deutsch: Öl auf Leinwand Dimensions Deutsch: 86 ?? 68 cm Current location Deutsch: Pinacoteca Vaticana
   
   
     

RENI, Guido Anbetung der Hirten, Detail oil


Anbetung der Hirten, Detail
Painting ID::  70881
Anbetung der Hirten, Detail
1630-1642 Oil on canvas Museo di San Martino
1630-1642 _ Oil_on_canvas Museo_di_San_Martino
   
   
     

RENI, Guido Anbetung der Hirten oil


Anbetung der Hirten
Painting ID::  71871
Anbetung der Hirten
Date 1630-1642
Date_1630-1642
   
   
     

RENI, Guido Der siegreiche Simson oil


Der siegreiche Simson
Painting ID::  76228
Der siegreiche Simson
Date 161 1- 1612 Medium Oil on canvas Dimensions Deutsch: 260 ?? 223 cm cyf
   
   
     

RENI, Guido Rosenkranzmadonna oil


Rosenkranzmadonna
Painting ID::  76564
Rosenkranzmadonna
Deutsch: um 1596-1598 English: c. 1596-1598 Medium Oil on canvas cyf
   
   
     

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     RENI, Guido
     Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.

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