ROBERT, Hubert

French Rococo Era Painter, 1733-1808 French painter, draughtsman, etcher and landscape designer. He was one of the most prolific and engaging landscape painters in 18th-century France. He specialized in architectural scenes in which topographical elements derived from the buildings and monuments of ancient and modern Italy and of France are combined in often fantastic settings or fictitious juxtapositions. The fluid touch and rich impasto employed in his paintings


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ROBERT, Hubert JeanAntoine Roucher gets ready for the transit from oil


JeanAntoine Roucher gets ready for the transit from
Painting ID::  73572
JeanAntoine Roucher gets ready for the transit from
Source Unknown cyf
Source_Unknown _cyf
   
   
     

ROBERT, Hubert Washerwomen in the Ruins of the Colosseum oil


Washerwomen in the Ruins of the Colosseum
Painting ID::  74053
Washerwomen in the Ruins of the Colosseum
Date between 1750(1750) and 1770(1770) Medium Oil on canvas Dimensions 45.1 X 57.8 cm (17.76 X 22.76 in) cyf
   
   
     

ROBERT, Hubert Incendie de lOpera oil


Incendie de lOpera
Painting ID::  75232
Incendie de lOpera
Français : La fin de l'incendie du theâtre de l'Opera de Paris, deuxieme salle du Palais-Royal, le 8 juin 1781. cyf
   
   
     

ROBERT, Hubert Roman Ruins oil


Roman Ruins
Painting ID::  79266
Roman Ruins
Oil on canvas, 29-1/4 x 24-1/2 in., Location: Worcester Art Museum, Worcester, Massachusetts Date ca. 1760(1760) cyf
   
   
     

ROBERT, Hubert Vue du Port de Ripetta a Rome oil


Vue du Port de Ripetta a Rome
Painting ID::  80796
Vue du Port de Ripetta a Rome
Oil on canvas painting Date 1767 cyf
Oil_on_canvas_painting Date_1767 _cyf
   
   
     

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     ROBERT, Hubert
     French Rococo Era Painter, 1733-1808 French painter, draughtsman, etcher and landscape designer. He was one of the most prolific and engaging landscape painters in 18th-century France. He specialized in architectural scenes in which topographical elements derived from the buildings and monuments of ancient and modern Italy and of France are combined in often fantastic settings or fictitious juxtapositions. The fluid touch and rich impasto employed in his paintings

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