Raja Ravi Varma

1848-1906, Indian painter. He was the most important and one of the earliest Indian artists of the 19th century to work in oil paints. The subjects of his paintings were often mythological, but they were produced in a European historicist style. He absorbed the influence of such French 19th-century academic painters as William-Adolphe Bouguereau and Gustave Boulanger and of Indian contemporary popular theatre, specializing in the type of mythological paintings that found favour with Indian rajas and British administrators. His successful exploitation (from 1894) of the lithographic reproduction of his paintings ensured, for the first time in India, that the work of an individual artist could reach a mass market.


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Raja Ravi Varma Expectation oil


Expectation
Painting ID::  95268
Expectation
Date Unknown date Medium oil on canvas TTD
Date_Unknown_date _ Medium_oil_on_canvas _ TTD
   
   
     

Raja Ravi Varma Gypsies oil


Gypsies
Painting ID::  95269
Gypsies
Date 1893(1893) Medium Oil on Canvas TTD
Date_1893(1893) _ Medium_Oil_on_Canvas _ TTD
   
   
     

Raja Ravi Varma The Milkmaid oil


The Milkmaid
Painting ID::  95270
The Milkmaid
Date 1904.(1904.) Medium oil on canvas TTD
Date_1904.(1904.)_ Medium_oil_on_canvas_ TTD
   
   
     

Raja Ravi Varma Rajaputra soldier oil


Rajaputra soldier
Painting ID::  95271
Rajaputra soldier
Date? TTD
Date? TTD
   
   
     

Raja Ravi Varma Udaipur Palace oil


Udaipur Palace
Painting ID::  95272
Udaipur Palace
Date? TTD
Date? TTD
   
   
     

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     Raja Ravi Varma
     1848-1906, Indian painter. He was the most important and one of the earliest Indian artists of the 19th century to work in oil paints. The subjects of his paintings were often mythological, but they were produced in a European historicist style. He absorbed the influence of such French 19th-century academic painters as William-Adolphe Bouguereau and Gustave Boulanger and of Indian contemporary popular theatre, specializing in the type of mythological paintings that found favour with Indian rajas and British administrators. His successful exploitation (from 1894) of the lithographic reproduction of his paintings ensured, for the first time in India, that the work of an individual artist could reach a mass market.

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