Raphael

Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.


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Raphael Ecstasy of St Cecilia oil


Ecstasy of St Cecilia
Painting ID::  94727
Ecstasy of St Cecilia
1516-1517 Type Oil transferred from panel to canvas Dimensions 220 cm x 136 cm (87 in x 54 in) cyf
   
   
     

Raphael Portrait of Andrea Navagero and Agostino Beazzano oil


Portrait of Andrea Navagero and Agostino Beazzano
Painting ID::  94730
Portrait of Andrea Navagero and Agostino Beazzano
1516 Type Oil on canvas Dimensions 76 cm x 107 cm (30 in x 42 in) cyf
   
   
     

Raphael Christ Falling on the Way to Calvary oil


Christ Falling on the Way to Calvary
Painting ID::  94732
Christ Falling on the Way to Calvary
1514-1516 Type Oil on panel transferred to canvas Dimensions 318 cm x 229 cm (125 in x 90 in)
   
   
     

Raphael Oath of Leo III oil


Oath of Leo III
Painting ID::  94733
Oath of Leo III
1516-1517 Type Fresco Dimensions ? cm x 770 cm cyf
1516-1517_ Type_Fresco_ Dimensions_?_cm_x_770_cm_ cyf
   
   
     

Raphael Ezekiels Vision oil


Ezekiels Vision
Painting ID::  94736
Ezekiels Vision
1518 Type Oil on panel cyf
1518_ Type_Oil_on_panel_ cyf
   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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