Samuel Palmer

1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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Samuel Palmer The Sleeping Shepherd oil


The Sleeping Shepherd
Painting ID::  26428 		The Sleeping Shepherd
mk49 c.1854 Watercolour,gouache,gum arabic,brown ink and traces of graphite on off-white wove paper laid down onto secondary support
   
   
     
Samuel Palmer The Comet of 1858,as Seen from the Heights of Dartmoor oil


The Comet of 1858,as Seen from the Heights of Dartmoor
Painting ID::  26429 		The Comet of 1858,as Seen from the Heights of Dartmoor
mk49 1858-9 Watercolour and gouache
mk49 1858-9 Watercolour_and_gouache
   
   
     
Samuel Palmer The Sheep Shearers oil


The Sheep Shearers
Painting ID::  26430 		The Sheep Shearers
mk49 1863 Watercolour and gouache,over traces of graphite 21.2x43.8cm
   
   
     
Samuel Palmer A Wagoner Returning Home oil


A Wagoner Returning Home
Painting ID::  26431 		A Wagoner Returning Home
mk49 c.1865 Watercolour,gouche and graphite 19.7x43.2cm
   
   
     
Samuel Palmer The Propect oil


The Propect
Painting ID::  26432 		The Propect
mk49 1881 Watercolour with gouache 50x70.4cm
mk49 1881 Watercolour_with_gouache 50x70.4cm
   
   
     
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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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