Samuel Palmer

1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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Samuel Palmer Harvesters by Firelight oil


Harvesters by Firelight
Painting ID::  26386 		Harvesters by Firelight
mk49 c.1830 Black ink with watercolour and gouache on wove paper 28.7x36.7cm
   
   
     
Samuel Palmer The Magic Apple Tree oil


The Magic Apple Tree
Painting ID::  26387 		The Magic Apple Tree
mk49 c.1830 Brown ink,watercolour and gouache with gum arabic 34.9x26cm
   
   
     
Samuel Palmer Pastoral with a Horse Chestnut Tree oil


Pastoral with a Horse Chestnut Tree
Painting ID::  26388 		Pastoral with a Horse Chestnut Tree
mk49 c.1831-2 Watercolour and gouache with gum,arabic over preliminary indications in pencil,on buff paper 33.4x26.8cm
   
   
     
Samuel Palmer The Sleeping Shepherd oil


The Sleeping Shepherd
Painting ID::  26389 		The Sleeping Shepherd
mk49 c.181-2
mk49 c.181-2
   
   
     
Samuel Palmer The Gleaning Field oil


The Gleaning Field
Painting ID::  26390 		The Gleaning Field
mk49 c.1833 Oil and tempera with pen and ink on panel 30.5x43.8cm
   
   
     
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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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