Samuel Palmer

1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.


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Samuel Palmer A Pastoral Scene oil


A Pastoral Scene
Painting ID::  26401
A Pastoral Scene
mk49 1835 Oil and tempera on panel 30x40cm
mk49 1835 Oil_and_tempera_on_panel 30x40cm
   
   
     

Samuel Palmer Scene from Lee,North Devon oil


Scene from Lee,North Devon
Painting ID::  26402
Scene from Lee,North Devon
mk49 1835 Oil on canvas 26.7x38.1cm
mk49 1835 Oil_on_canvas 26.7x38.1cm
   
   
     

Samuel Palmer On the North Coast of Devon,Lundy Island in the Distance oil


On the North Coast of Devon,Lundy Island in the Distance
Painting ID::  26403
On the North Coast of Devon,Lundy Island in the Distance
mk49 1835 Watercolour,gouache,black chald and graphite on off-white wove paper 27.1x38cm
   
   
     

Samuel Palmer A Study at Tintern-Drawn on the Spot oil


A Study at Tintern-Drawn on the Spot
Painting ID::  26404
A Study at Tintern-Drawn on the Spot
mk49 1835 Brown ink,watercolour,gouache,graphite and black chalk on off-white paper toned pinkish-brown 37.2x47.5cm
   
   
     

Samuel Palmer Tintern Abbey oil


Tintern Abbey
Painting ID::  26405
Tintern Abbey
mk49 1835 Watercolour,gouache,brown ink and black chalk on white laid paper 36.8x48.6cm
   
   
     

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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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