Samuel Palmer

1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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Samuel Palmer The Waters Murmuring oil


The Waters Murmuring
Painting ID::  26433 		The Waters Murmuring
mk49 c.1880 Watercolour with gouache 50.8x69.8cm
mk49 c.1880 Watercolour_with_gouache 50.8x69.8cm
   
   
     
Samuel Palmer The Curfew or The Wide Water d Shore oil


The Curfew or The Wide Water d Shore
Painting ID::  26434 		The Curfew or The Wide Water d Shore
mk49 1870 Watercolour and gouache on London board, 50x71.1cm
   
   
     
Samuel Palmer A Towered City or The Haunted Stream oil


A Towered City or The Haunted Stream
Painting ID::  26435 		A Towered City or The Haunted Stream
mk49 c.1868 Watercolour and gouache with gum on London board 51.1x70.8cm
   
   
     
Samuel Palmer A Towered City or The Haunted Stream oil


A Towered City or The Haunted Stream
Painting ID::  26436 		A Towered City or The Haunted Stream
mk49 c.1868 Brown wash with white body colour on card 20.2x28.4cm
   
   
     
Samuel Palmer The Lonely Tower oil


The Lonely Tower
Painting ID::  26437 		The Lonely Tower
mk49 1867-8 Watercolour and body colour 51x70.5cm
mk49 1867-8 Watercolour_and_body_colour 51x70.5cm
   
   
     
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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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