Samuel Palmer

1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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Samuel Palmer The Lonely Tower oil


The Lonely Tower
Painting ID::  26438 		The Lonely Tower
mk49 before 1881 Watercolour, 16.5x23.5cm
mk49 before_1881 Watercolour, 16.5x23.5cm
   
   
     
Samuel Palmer The Bellman oil


The Bellman
Painting ID::  26439 		The Bellman
mk49 before 1881 Watercolour
mk49 before_1881 Watercolour
   
   
     
Samuel Palmer Till Vesper Bade the Swain oil


Till Vesper Bade the Swain
Painting ID::  26440 		Till Vesper Bade the Swain
mk49 1879 Watercolour 12.5x19.2cm
mk49 1879 Watercolour_ 12.5x19.2cm
   
   
     
Samuel Palmer Tityrus Restored to his Patrimony oil


Tityrus Restored to his Patrimony
Painting ID::  26441 		Tityrus Restored to his Patrimony
mk49 c.1874 Watercolour and gouache,with touches of gum arabic on card laid down on paper 50.2x69.9cm
   
   
     
Samuel Palmer Classical River Scene oil


Classical River Scene
Painting ID::  26442 		Classical River Scene
mk49 c.1878 Watercolour and gouache on card, 23.1xx35.2cm
   
   
     
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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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